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Ekitai​-​on Keiho

by Christophe Bailleau & Julien Ash

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1.
2.
3.
4.
5.
Reflux 05:49
6.
Hippocampe 04:16
7.
Das See 09:09

credits

released February 8, 2024

Music by Christophe Bailleau & Julien Ash

With :
Jordane Prestrot (tracks 4,5 & 7)
Aloïs L. (alto saxophone)
François Porte (transverse flute)
A Limb (drum programming on track 5)
Zorg (noises on track 1)

Images by Christophe Bailleau & Nightcafe
Digital mastering by Aloïs L.

emerge.bandcamp.com/album/ekitai-on-keiho

www.attenuationcircuit.de/releases/97/christophe-bailleau--julien-ash-feat-jordane-prestrot-ekitai-on-keiho

the squeaking of a heart... Screaming (again) (always) (desperately?)!!! Making one's own the idea that our desires for these other things could finally be (temporarily) satisfied thanks to the immersive favor of an inspired, mischievous saxophone (Ocean of Sadness).
A sonic odyssey more than a hundred leagues from a hypothetical shore, EKITAI-ON-KEIHO possesses all the attributes of a domestic object, but definitively elusive (The Property).
A true generational crossover, without seeming troubled, we witness (bewildered) the possible reconciliation of a lost TIMEWIND (Klaus Schulze) levitating uncertainly, with these mobile, moving, and willing architectures (The Road To The Seashore), a multifaceted, learned emulsion.
Stubborn musicians, driven by extreme, extraordinary demands and limits, Julien Ash & Christophe Bailleau assert this as much in their personal work as with this formidable encounter, 50/50 according to Christophe Bailleau, a timeless eclecticism, erected without harmful compromise - Do we have the absolute certainty that this is where the stakes of a future reside? The piano notes of "Prisoner Of The Sky" are positively a draft of an answer, akin to a crack in the binders and the removal of our abhorrent tab manipulators. A significant validation of a featuring scattered across three tracks of the album, Jordane Prestrot is not one to decline an opportune invitation to cast a different gaze.
If this is how "Reflux" initially scatters a myriad of sparks, there are tense turnarounds for which all prevention remains ineffective, a few salvaging notes reminiscent of a koto ?
Game of contrasts, of latent soundscapes, endlessly intertwining "Hippocampe" unfolds a contained power, we are so close and yet so far from the surface.
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Inspiring, expiring, "Das See" sows doubt, the ultimate test, the friendly artifices of a conventional, conflicting rhythm, questioning preamble... a fundamental ?

www.nocovision.com/2024/02/christophe-bailleau-julien-ash-ekitai.html

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NOUVELLES LECTURES COSMOPOLITES Céret, France

NLC started in July 1989 as a duo (Angustère & Julien ASH).
In 1990, Angustère left.
After the solo-CD "Incandescent", NLC started again, as ASH's solo project. Compositions became more melodic.The CD "Allegro Vivace" started the Neo-Classical period of NLC, which may not be finished today... NLC stopped in 2007 and reactivated in 2021 as a duo : Julien ASH and Aloïs L. (Photo Mathias L.) ... more

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